Review – Spartacus

Spartacus: The old is still now

Debuting in Melbourne at the iconic Victorian Arts Centre on the 19th of September 2018, choreographer Lucas Jervies’ presents a stunning rendition of the age-old tale of Spartacus.  At its core, Spartacus is a narrative about human rights. A love story, a tale of friendship, abuse of power, honour and the horrors of war. Part of the Australian Ballet 2018 season, The Power of Imagination, this reimagined production of the legend of Spartacus is a feast for the eyes, ears and heart.

Captured during the war in Thrace, Spartacus and his wife Flavia are separated in Rome when they are sold as slaves; Spartacus to the gladiator ring and Flavia to the household of Crassus, Roman consul and hero of the Thrace war. After being forced to kill his best friend in the gladiatorial arena, Spartacus leads the slaves to rebellion against their captors and frees Flavia from Crassus. 

Fleeing from Rome, the rebellious slaves are pursued by the legions of Crassus.  Despite fighting fearlessly for their continued freedom, the slaves are eventually overpowered and those not killed in battle are sentenced to death by crucifixion along the Appian Way.  Flavia, who has remained free, cries at the feet of her beloved Spartacus as he dies on the crucifix.

Very few ballets highlight male character dance roles.  Spartacus is one of the exceptions.  With the support of fight director Nigel Poulton and dramaturge Imara Savage the dancers of the Australian Ballet, in particular Jarryd Madden, Ako Kondo, Adam Bull and Brett Chynoweth, provide a visceral experience for the audience as they bring Jervies’ vision to life. Jarryd Madden and Ako Konda are stunning as Spartacus and Flavia, bringing grace, strength and emotion to these central roles.

Under the guidance of the Australian Ballets Music Director and Chief Conductor, Nicolette Fraillon, the Australian Ballet orchestra beautifully performs the original music score, written by Aram Khachaturian between 1950 and 1954.  The familiar and haunting notes of the Spartacus Adagio provide a peaceful interlude for the reunited lovers. 

Inspired costume and set design by Jerome Kaplan combined with lighting design from the talented Benjamin Cisterne complete the brilliant artistic circle of this stunning ballet.

A cautionary word.  This is a story about love AND war.  While most of the violence is stylized, the final scene of the ballet is quite graphic and probably unsuitable for children.